Check out this 19th century Japanese Artist’s documentation of human decomposition from Strange Remains.
Forensic reconstruction has been on my mind lately. Not only is it used to bring faces back to the faceless, but reality to images long idealized. You’ve probably seen them somewhere on social media: age progressions of celebrities and missing children. But how about icons who died before their time? Or those who sacrifice their appearances in battle? Those are the subjects that capture my attention.
Ever since graduating (finally!) I’ve taken advantage of my free time to explore my growing interest with facial reconstructions. While it has taken me to some pretty dark places (unidentified murder victims and suspects) it has taken me to more pleasant .
This guy/gal (?) doesn’t just reconstruct Egyptian mummies, but other members of the expansive club we call history. While most of his/her(?) subjects are Egyptian Fayum portraits (adjusted for accurate eye and skull proportions), the most compelling images in my opinion include a hypothetical age progression of Charles Lindbergh Jr. and the restoration of a civil war soldier facially deformed from battle. If you want to take a peek into alternative history, check out this JudeMaris’ page.
While you’re at it, here are two more pages with age progressed (and regressed) images of historical figures and recovered missing kids:
I return from a long hiatus to bring good news. By now most of you already know that my hometown of Charlotte has been the latest city to see protests erupt in response to a questionable police-related death. Once violence erupted, many businesses within the vicinity of the chaos (mostly hotels) were vandalized on the first night. Since that night, many buildings were flanked by plywood where windows once stood. A lot of reservations were cancelled, losing the hotels a good amount of money. However, one guy had a great idea.
Matt Allen, general manager for the Hyatt House hotel, invited every artist in the Charlotte area to enhance the plywood with their talents. Being an artist as well, yours truly could not resist the opportunity to be part of wonderful, project. From the locals such as the Charlotte Art League and my fellow SketchCharlotte member Mike Wirth and his art students pitched in with a variety of art mediums.
Naturally, media arrived to follow up on this wonderful movement. The day I arrived, Fox News, international news agency CCTV, and local affiliates WSOC and WCCB came down to check out our work. Liz Foster of WSOC-tv interviewed me and representatives of the Charlotte Art League. (Link below. May have to sign onto facebook)
It took 8 hours to complete my work. By the end, my legs hurt from standing all day and I was running low on energy. However, it was an energy well spent. Matt and the staff of the Hyatt House were the most gracious people, helping us out with any supplies we needed. When they let us use their restrooms to clean our brushes, I actually felt hesitant to dirty up the hotel’s gorgeous bathrooms with my messy supplies and make more work for the custodial staff. I offered to use the bar’s back kitchen but everyone said the lobby restrooms were just fine. These people were affected the most by the vandalism. Reduced business always effects those below the corporate level most. I felt compelled to help bring business back to the city, but of course I wasn’t the only one.
It was a wonderful experience. I made new friends, ran into old friends who happened to be walking down the street, and if anything else, helped bring Charlotte’s art scene to the mainstream. What am I talking about? When I first moved here back in 2012, I had to go out of my way to find the local art communities. Due to the upscale nature of uptown, a tourist will only have access to more formal institutions like the Bechtler, the Mint or Foundation for the Carolinas. Unless they catch an artPOP billboard or ride a tour bus that will stop in the North Davidson area, visitors will not be exposed much any local art. By having an exhibit right where visitors can pass by and see what the other side has to offer, they may have just one more reason to come back.
You may not have read this comic but if you grew up in the US before 2000, I bet you’ve come across it while looking for Garfield in the newspaper. Lee Falk’s The Phantom predates Superman by 3 years and set the standards for many tropes we associate with the Man of Steel.
I would provide a full retrospect but YouTuber Midnight’s Edge has that covered.
This week, my comics group, SketchCharlotte, held a gallery opening for comics, comics – related art and all alternative art. If interested, it’s still running now through February 12, 2016 at the Max L. Jackson Gallery, in the Watkins Building at Queens University. Come see original works by me and many of Charlotte’s great local artists. And bring money, for alot of our stuff is for sale!
For More Information, check out the Facebook page from BigDogStudio:
A month has passed since I attended ConCarolinas in Charlotte this year. I’ve had a lot of life changing decisions, paperwork to mail and illnesses to recover from in the interim, but it’s allowed me time to reflect and get my thoughts together about meeting this year’s special guest: George RR Martin.
When I arrived to the panel room, I noticed a few in the audience members dressed as Game of Thrones characters: Danaerys, Jeoffrey,……that’s about all I know. George RR Martin was at the other end of the room, a moderator at his side. As one would expect, he did discuss things related to Game of Thrones, but expanded on his other works and collaborations like Fevre Dream, the Wild Cards series, Hunter’s Run and his time working on television projects such as Beauty and the Beast, Max Headroom and the 1980s Twilight Zone.
Martin discussed his life as a writer, such as his writing routine, and his well known usage of a 40 year old DOS system. Around this time a microphone was being passed around to audience members with questions, the first inquiring whether it was better for novice writers to find their niche with short stories or a novel. “Short stories are better to take a risk on.” He recommended. Martin wrote a few before he began A Song of Fire and Ice. The short stories earned him three nominations and one award which provided excellent PR by the time he released his first novel. His career has given him many opportunities to work on projects outside of literature, including an invitation from Neil Gaiman for his Sandman project, which Martin admitted to stupidly turning down.
As he further discussed his experience with comics, Martin provided a perspective similar to what I briefly touched upon in an earlier posting: that which one had when Marvel comics first came about. Like television, the telephone and even internet, those who grew up with the innovation develop the idea that life has always functioned with said innovation integrated. What my generation sees as “old hat” comic tropes was revolutionary for Martin’s generation—in his words, the world of DC Comics was “static”—once Batman and Superman saved the day, they returned to their homes, jobs and loved ones. He was right, it took 60 years for superman to marry Lois Lane, and 50 for Dick Grayson to move out of the bat cave and on with his life. The Marvel universe changed all that—Spiderman lost Gwen Stacy, went off and on with Mary Jane, graduated college, and life changed for Peter Parker—all in the first 40 years. All I can say is thank god for trade publications, or us new gens would never be able to keep up with any prime marvel story.
Editor’s notes can only catch you up so far.
Others may differ on this issue, but I’d rather have a story I’d need to keep up with than see the characters and settings remain in arrested development after a decade. The portion of people who get agitated by the emotional swerves and sudden deaths of characters forget one thing—the same things happens in real life. The creators of Sesame Street and Guiding Light, and Gasoline Alley understood this as much George RR Martin. Yes, the media scale is that wide in terms of understanding this fact.
In this age of trade paperbacks and Netflix, we more access than we know to catch up on episodic stories. If soap operas managed to gain new viewers with an ongoing storyline and long established characters long before the digital age, why must the rest of television have to stick to the 20th century sitcom formula in it? The only reason left for a person to complain about changes in a story is if they themselves cannot come to terms with change in real life. Of course Mr. Martin had a story for that, to which he explained the difference between “escape fiction” and “comfort fiction”. He reminded the audience that his books are not for everyone. In my opinion, the woman who wrote to complain about his book probably should’ve picked up the latter at her local bookstore.
After all that, you couldn’t call me too surprised when he admitted hating comic reboots like Marvel’s “Ultimate” series and DC’s “New 52”. In response he decided to write Who the Fuck was Jetboy? For the Wild Cards series, in which newer generations could revisit older heroes. By now it was pretty clear how much his perspective on comics ( especially Marvel) influenced the way he wrote as much as history.
I was not the only one to expect mostly Game of Thrones topics, because many of the cosplayers suddenly had to leave the room. It gave me the opportunity to take one of their closer vacant seats. My writer’s mind was still on, so I stayed and listened. After all this was a writer who got to work in other media and had his own series adapted into a runaway hit TV show. I wanted to learn what he did to get to that point, so I listened.
Another issue Martin brought up was the tension that often came when two writers collaborated on a shared fictional world. What is that? Readers of any medium would notice when a new writer comes in and changes things the previous writer established, the former will react to this change by killing off as many of their characters so that no other writers can use them. I think TV Tropes calls this “Torch the Franchise and Run.” Martin explained a compromise he set up (which I keep secret out of respect for the guy), so that both parties could benefit from a shared world. This is a part of the writing world I never even considered, and to hear about this was information is well valued.
The last question raised regarded his notorious habit of killing off characters. Close followers of his career would notice this trademark extends beyond Game of Thrones. For example, not long after being hired as writer for Beauty and the Beast, he kills off the eponymous “Beauty”. All he could say was this: his books were about human nature. Again, I agree.
People do die without warning, in car accidents or unforeseen heart attacks. It’s why we have life insurance. Friendships end, lives are upended, and people make decisions that make sense to them yet boggle others’ minds. We begin the day in one place and condition and end it in another. As Martin insisted with comics, humans and the world they live in are not static.
Writing this reminds me why I like attending panels like this—you get to learn about the person behind the pop cultural phenomenon and a little a bit about yourself as your take in what you hear. If only one thing has proven static is that Martin’s experience has reminded me that literary works are always the springboard for writing projects in other media. Dorothy Parker and F. Scott Fitzgerald had their own experiences as hollywood scriptwriters. Unlike the latter two writers, Martin was being part of that generation who grew up with television and comics; he could transition himself between the different media. Now he’s in Parker and Fitzgerald’s shoes, adjusting late to the new medium of Twitter. My generation has the digital world now and the one growing up now will think of it as “old hat”, so let’s see what we can do with that and whatever comes later.
|Joker and Kingpin. And no, they didn’t have to tell me either.|
|Jessica Rabbit. Maybe she’ll be there. ^_^|
This was predominantly a superhero/scifi (as the cosplayers suggest) but I knew there would be a few nuggets of my usual niche within.
Plus when I arrived, little did I know that the survey I filled qualified me a raffle for a prize!
So far I exchanged 3 business cards and three zines, so I think I did a pretty good job for my first time convention networking.